How Kenya Music Entertainment Shifted from Live Shows to Virtual Concerts Due to Covid-19
7 September 2021
Nyashinski Lucky You Live Performance [Image Source: Dmuchi]
By Lydia M Joshua
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Live shows and brand partnerships have been the top income earners for Kenyan musicians since time immemorial. This however took a drastic turn on 12th March 2020 when, the Cabinet Secretary for Health Mutahi Kagwe, confirmed the first case of Covid-19 in Kenya. To mitigate the virus, the government employed several measures including, but not limited to regional lockdowns, night time curfew, closure of eateries and clubs, work from home directive and a limit on the number of people allowed at a public gathering.
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The Great Shift
The Entertainment industry was the 2nd worst hit after Hospitality.This forced event organizers to shift from physical live shows to virtual concerts. Some of the first virtual concerts created in accordance with the Ministry of Health guidelines included; Nyashinski's 'Lucky You' Album pre-launch concert, Sauti Sol Virtual concert, Trace Live Kaka Sungura vs King Kaka and Virtual Koroga Festival.
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These pioneer shows established an online concert trend. Artists and organizers began putting out more virtual shows; among the most notable ones was; Blankets and Wine Film Concert, which premiered on 20th December 2020. The concert featured music performances from top tier Kenyan artists Bensoul, Nviiri The Storyteller and Muthoni Drummer Queen; alongside film content starring a host of Kenyan actors and public personalities.
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Digital spaces have morphed into official project premieres and releases. Sauti Sol, for instance, successfully launched their fifth studio album via different streaming platforms.
The Good
Virtual events can host an exceedingly huge audience; that would have otherwise been a planning nightmare for organisers, were it a physical event. Blanket and Wines in particular pulled an impressive 56,000+ live YouTube viewers. These numbers eventually translate to lucrative endorsements.
Convenience goes without saying; with virtual shows, the location of audiences is not a limiting factor. Fans who could not afford to travel for live shows can now experience concerts from the convenience of their homes. They can also interact as the banter continues in the comment section.
The cost of setting up a virtual concert is way less than that of a live show. Having taken away logistical costs that would include, venue, set up, vendors,security… only to mention a few; virtual concerts are only left to invest in equipment, set , talent and streaming technology.
The Bad
Monetization of online concerts has been the biggest challenge so far. This means artists’ livelihoods are greatly affected. Musicians have had to significantly cut down their rates. As much as this might play to the disadvantage of the artist, it is a great advantage for audiences; because with low rate cards, organizers can afford to have more artists in a single event.
There are sites trying to provide creatives with the option of only accessing content via buying tokens but these sites are not as popular as some of the big boys like YouTube. In partnership with mainstream streaming sites, artists and commercial brands now work closely together and depending on an artist's online numbers, these virtual concerts could get sponsored.
Read Also: Mejja: I’d be a Trailer Driver if I Wasn’t in Music
The pandemic brought about this news normal. It would be wise to adjust our thinking towards the future of concerts. In that same line of thought, build cultures and new traditions that will serve the need of music lovers to be entertained, and still provide stable income for artists in Kenya.
Hanscana Ajibu Madai Kuwa ‘Naanzaje’ ya Diamond Inafanana na ‘Fever’ ya Wizkid
[Picha: Naanzaje YouTube Video]
Mwandishi: Charles Maganga
Pata Habari za Muziki na Mixtapes Bure Kwenye Telegram
Godfather wa video za muziki nchini Tanzania Hanscana amefunguka kwa mara ya kwanza kuhusu madai ya video ya ‘Naanzaje’ ya Diamond Platnumz kufanana baadhi ya vipande na video ya ‘Fever’ ya Wizkid.
Soma Pia: Snoop Dogg Afurahishwa na Wimbo wa ‘Naanzaje’ ya Diamond Platnumz
Hanscana ambaye ana rekodi ya kufanya video za muziki zaidi ya 200 akiwa kwenye kipindi cha The Switch ameeleza kuwa madai hayo hayana ukweli wowote.
"Watu wanashindwa kuelewa tofauti kati ya location na concept. Example unataka uende ukashoot location Serengeti yani kwenye mbuga za wanyama alafu utegemee uende pale mbuga za wanyama usishoot wanyama itakuwa haimake sense," alizungumza Hanscana.
Hanscana aliongeza kuwa ‘Naanzaje’ sio video ya kwanza kufanyika visiwani Zanzibar kwani wasanii wengi tu ikiwemo John Legend kutokea nchini Marekani na hata Diamond Platnumz alishawahi kufanya video visiwani humo.
Soma Pia: Diamond Aeleza Sababu ya kuachia Wimbo Wake Mpya 'Naanzaje'
Kuhusu madai ya kuiga baadhi ya vipande kutoka kwenye video ya ‘Fever’ ya Wizkid hasa kwenye ile sehemu ya ufukweni ambapo Diamond anaonekana akiwa na binti mrembo kitandani , Hanscana alisema "Beach ni kawaida kuwa na mchanga na kuwa na bahari so ukisema nishoot tena baharini tena kuwe hakuna maji kuwe hakuna mchanga humake sense wakina Celine Dion wameshoot baharini na mpaka kesho watu wataendelea kushoot baharini."
Mashabiki wa muziki nchini Tanzania huwaambii chochote kuhusu video ya ‘Naanzaje’ ya Diamond Platnumz maana wameipokea kazi hiyo kwa uzito sana kwani iliweka rekodi ya kutazamwa mara Laki Moja ndani ya dakika 40 tu.
‘Naanzaje’ ni video ya tatu ambayo Hanscana amefanya na Diamond Platnumz kwani mwaka 2015 Hanscana alishiriki kuandaa video ya ‘Nasema Nawe’ na mwezi uliopita pia Director huyo alihusika kutayarisha video ya ‘Iyo’ ambayo ilifanya vizuri sana.
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