How Iyanii, TIpsy Gee, Silverstone Barz & Big Yassa Mucked Up Revellers With Fire Performances

I didn’t expect Burudani Address in Juja to turn into a full-blown showcase of Kenya’s evolving urban sound — but that’s exactly what happened during the Captain Morgan activation I attended. What started as a regular night out quickly became a music-driven journey through drill, rap, arbantone, and afro-pop, delivered by four artists who each brought something completely different to the stage.

Big Yasa: The Night Opens With Raw Energy

Big Yasa was the first to touch the stage, and from the moment he stepped up, the atmosphere shifted. He came in strong — gritty flow, street-rooted lyricism, that unmistakable drill DNA he’s known for. The bass alone made the walls vibrate, and you could feel the crowd snap into performance-mode immediately.

It was the kind of opening that doesn’t ask permission — it grabs your attention and sets the tone: this night is about real music, real energy, and real Kenyan sound.

Silverstone Barz: Bars, Confidence and Command

When Silverstone Barz followed, the vibe morphed but didn’t drop for even a second. She brought that lyrical sharpness she’s famous for — punchlines, swagger, confidence, and a crowd presence that made every person in that room pay attention.

Her flow cut clean through the noise, and she carried herself like someone who understood the assignment: balance the masculine drill opening with finesse, bar-heavy delivery, and a bold feminine edge. She didn’t just perform — she owned her slot.

Tipsy Gee: Vibes, Dance & Pure Crowd Control

Then came Tipsy Gee, and this is where the night truly loosened up. His set immediately shifted the energy from head-nods to full-on dance mode. Those arbantone rhythms hit differently in a club — bouncy, catchy, made for the floor.

People started moving. Drinks lifted. The atmosphere grew warmer, louder, more alive. Tipsy Gee is one of those performers who knows exactly how to interact with a crowd, and you could feel the connection. The performance wasn’t just music — it was motion.

Iyanii: The Perfect Finale

Closing with Iyanii was the smartest programming decision of the night. After the bars, the drill, and the dance vibes, Iyanii arrived with melody, warmth, and the kind of feel-good presence that wraps up an event perfectly.

His vocals were smooth, familiar, and instantly uplifting. When his hits came on, the entire club sang along. He turned the night from hype to joyful, from high-energy to high-vibe. It was a clean landing.

The Atmosphere: Electric, Kenyan, and Completely Alive

What made this night special wasn’t just the individual artists — it was how their styles blended into a full musical arc. Burudani Address transformed into a melting pot of Nairobi’s current soundscape.

With Captain Morgan energizing the room and the artists giving everything they had, the event felt less like a brand activation and more like a celebration of what Kenyan music is becoming: diverse, bold, and impossible to ignore.

The Nairobi Edition is now complete, Captain Morgan Muckpit will proceed to the next regions as part of the nationwide rollout. Some of the regions that have been Mucked include Meru, the Rift valley region, the lakeside region among others.