How Maandy, Fathermoh & Harry Craze Shut Down Juja Over The Weekend

If you were anywhere near Nairobi this past weekend, chances are you heard the buzz coming from Chrome City. The energy? Electric. The vibe? Pure Kenyan street culture in motion. And the soundtrack? A lineup that had every corner of the city talking: Maandy, Toxic Lyrikali, Fathermoh, and Harry Craze lighting up the stage like it was their personal playground.

The whole idea behind Chrome City was simple but genius. Picture this: a creative urban setup buzzing with pop-up jewelry stalls, streetwear vendors, chill sports lounges, street fand an open performance arena that became the heart of the night. It wasn’t just an event; it was a full-blown experience, an artistic playground where Nairobi’s creative pulse beat loud and proud.

As the sun dipped behind the city skyline, the stage came alive —Harry Craze and Fathermoh, ever the crowd controllers, whose infectious energy had the audience shouting every lyric back at them. Their signature sing-along hooks turned the Chrome City grounds into a massive block party. There’s something about their sound — party-themed, cheeky, and undeniably Nairobi — that just hits right when you’re surrounded by flashing lights, laughter, and friends.

But when Maandy took the mic, Chrome City shifted gears. Dressed in her signature street-chic style, she owned that stage with the confidence and edge that’s made her one of Kenya’s most exciting female acts. Every beat drop, every verse, every switch-up in rhythm — Maandy had the crowd on its feet, singing, dancing, vibing. Her set was a reminder that Nairobi’s music scene isn’t just alive — it’s evolving, fiercely and fearlessly.

Behind all the fun and festivities was Chrome’s new campaign, Chromoka — a celebration of 10 years of culture, creativity, and community. While the brand’s message focused on empowerment and expression, what truly brought that vision to life was the sound — the artists, the crowd, the energy that only live music can create.

At the end of the night, The City wasn’t just about the drinks or the décor — it was about a feeling. That electric, goosebumps kind of feeling you get when music, people, and culture collide perfectly.

If Chromoka is about “making it,” then for everyone who was there — singing along, dancing under neon lights, living the moment — they already had.