THE  REBIRTH OF GENGETONE

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Writer:Yvonee Githinji

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For a while, it seemed like Gengetone, the energetic and youthful genre that once dominated Kenya's music scene, was dead. It had captured everyone's attention with its catchy beats and bold lyrics, but then, almost out of nowhere, it faded away. Fans were left wondering if it had run its course. But in a twist no one saw coming, Gengetone made a shocking comeback—one that’s been buzzing across the music scene 

The return of Gengetone was so sudden and unexpected that it felt like a pleasant surprise. People had written it off, and yet, here it was—back with a vengeance. New tracks started dropping, and it didn’t take long for fans to take notice. Take Ukitaka by Ethic Entertainment—within just two months, it racked up 1.8 million views. That’s huge! The response was electric. The song's infectious energy reminded everyone why Gengetone was such a big deal in the first place.

Then there was Pungulu by Angry Panda, which hit 1 million views in just a month. These kinds of numbers were proof that Gengetone was far from over. In fact, it was clear the genre had evolved, and it had found a fresh audience eager to hear what it had to offer.

But it wasn’t just the music that shocked us—it was also the artists who made their return. One of the most exciting comebacks was *OnlyOneDelo*. This was an artist who had been a big name in the Gengetone scene before seemingly disappearing from the spotlight. When he returned, fans couldn’t help but celebrate. His new music hit just the right note, connecting with both old fans and new ones. It felt like a full-circle moment for Gengetone.

Another comeback that stirred emotions was that of Maddox from Boondocks Gang. Maddox had fallen off the radar for a while due to struggles with drug addiction, but his return wasn’t just about music—it was a story of redemption. Watching him reclaim his spot in the scene was a powerful reminder of how music can be a healing force. His journey mirrored the larger Gengetone revival, showing us that not everything that fades away stays gone.

What’s clear now is that Gengetone is not just a trend that came and went—it’s a genre that’s here to stay. The songs that have been dropping, the artists making comebacks, and the incredible engagement from fans are all signs of a scene that’s more alive than ever. It’s not the same Gengetone we knew at first, but that’s a good thing. The genre has grown, evolved, and embraced new sounds and voices.