Peter of PSquare Opposes ‘African Category ‘ In Grammy Awards

[Peter of PSquare/Premium Times Nigeria]
Written by Pharis Kinyua

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The music world is no stranger to its share of controversy and debate. However, the latest voice to join the discussion brings not just the weight of a renowned musical career but a deep-rooted belief in unity and diversity. Peter of PSquare, one half of the iconic Nigerian music duo, has raised his voice in opposition to what he calls the ""African category"" at the Grammy Awards. His perspective challenges the industry's ongoing efforts to recognize and celebrate African music in a new light.

""If you give me a Grammy today and place it under the African category, I wouldn't find joy in it,"" Peter of PSquare states candidly. His concern is not limited to a personal ambition but extends to a broader critique of the music industry's approach to categorization. ""I dislike this African category,"" he emphasizes, ""Have you ever heard of the Asian category or American category? So what is the African category? Why are they segmenting everything?"" It's a question that resonates deeply with artists and fans who yearn for a more inclusive and unified musical world.

The Recording Academy recently announced the addition of a new category to the Grammy Awards, starting in 2024: Best African Music Performance. This move was seen as a significant step forward for African music, an acknowledgment of the growing influence of African artists on the global stage. The category is intended to be open to artists from across the African continent, with a broad spectrum of music genres falling under its purview, including Afrobeats, Afro-fusion, Amapiano, Bongo Flava, and more.

The Recording Academy's decision is grounded in a commitment to supporting and celebrating African music. It signals their recognition of the significance of the African music scene and its global impact. However, this step, while welcomed by many, is now at the center of a spirited debate spurred by Peter of PSquare.

The heart of Peter's argument lies in the inherent divisiveness he perceives in categorizing music in this manner. The concept of an ""African category"" is viewed by him as an exception in an industry that doesn't segment other parts of the world in the same manner. ""Russians do their own Grammy,"" he points out, ""and still put the African category."" This perceived inconsistency is a source of frustration, leading him to question the necessity of such divisions.

The African music scene has been experiencing a surge in popularity on a global scale. Genres like Afrobeats, Afro-pop, and Highlife have found their way onto Grammy playlists, recognized for their infectious rhythms and captivating melodies. Artists such as Wizkid and Davido, who have spearheaded the Afrobeats movement, have successfully infused their cultural roots into their music, appealing to a broad international audience.

However, Peter's perspective challenges the notion that recognition for African music should come at the expense of unity and integration. The debate is not about whether African music should be celebrated; it is about the method of celebration. The introduction of an African category, while a step towards recognition, also raises questions about the potential for division and exclusion.

The opposition by Peter of PSquare is a reflection of a growing sentiment within the music industry that celebrates diversity and unity over segmentation. It is a call for a more inclusive approach that embraces the richness and global influence of African music without creating boundaries. It's not just a disagreement; it's a testament to the enduring power of music to transcend borders and connect people across the world.

Peter’s message is not only about the Grammys; it's about the broader journey of African music towards global recognition. The discussion is not just about a category; it's about how music can truly be a unifying force in a diverse and interconnected world.